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LA Times Article
A Picture of Confidence
After once standing outside the limelight
as her mother and sister became country stars, actress
Ashley Judd is making believers out of the skeptics.
By LORENZA MUÑOZ
Producer Leonard Goldberg admittedly had a
few presumptions about his
dinner guest. She was probably a typical Southern gal,
whose knowledge of the world went not much further than
the season daffodils bloom and the color of the
Appalachian mountains in spring.
But actress Ashley Judd, he came to find
out, was no country bumpkin. Familiar with, among others,
Camille Pissarro, a French Impressionist known for his
landscape paintings, Judd discussed art with Goldberg.
At the dinner table, Judd carried on
fluently en français with two of Goldberg's French
dinner guests. The label of the aged red wine Goldberg
served did not escape her notice. When she bid adieu from
his New York apartment, she firmly shook Goldberg's hand
and thanked him, making direct eye contact.
This was not the first time strangers had
underestimated Ashley Judd. "You
are struck immediately by her beauty and her
directness," Goldberg says.
"She seems so in control. I thought to myself,
'Ashley Judd is a surprise.' "
As the star of Paramount's big-budget action thriller
"Double Jeopardy,"
the 31-year-old actress may surprise others in Hollywood.
She carries the
film, holding her own against Oscar-winning co-starTommy
Lee Jones. Judd,
who even does most of her own stunts in the film, hounded
Goldberg for a
shot at playing the fierce and determined Libby Parsons,
a role intended
for Jodie Foster until her pregnancy forced her to drop
out.
"This is [Judd's] first lead role in a big
mainstream film," said Goldberg,
who produced the movie, scheduled for release Sept. 24.
"I think this is
going to make Ashley what she was always destined to
become--a movie star."
(Though Judd was the leading female in Paramount's 1997
"Kiss the Girls,"
Morgan Freeman carried the film.)
The thriller, filmed in Vancouver, B.C., and New Orleans,
begins when Libby
is wrongly imprisoned for murdering her husband, played
by Bruce Greenwood.
While doing time, Libby accidentally discovers her
deceitful husband is
still alive and living a happy new life with her son and
her best friend.
Like a female Rocky, Libby begins her physical training
in prison,
anxiously awaiting her day of release so she can find her
son and confront
her scheming husband. She might even kill him, she
contemplates, since she
cannot be tried twice for the same crime--hence the title
"Double Jeopardy."
Judd, however, seems unconcerned by talk of the effect
this film might have
on her career. She maintains the role appealed to her for
its content and
the artistic challenges the film offered her as an actor.
But with this film, Judd could become part of an
exclusive group of
bankable female stars like Foster and Rene Russo who can
carry big
Hollywood action thrillers. After all, smart, sassy and
sexy leading female
roles are few and far between in Hollywood.
Judd acknowledges that landing a lead role in a major
Hollywood production will probably open doors for
her--particularly if the film is successful at the box
office. "I am very ambitious and have extremely high
aspirations for myself," said Judd, over jasmine tea
and tea cakes at the Peninsula Hotel in Beverly Hills.
"A lot of those [goals] can only be met by having a
certain altitude of fame."
Judd's ability to fit in several worlds at
once is vividly on display in the film. At times
desperate, sweaty, wearing ragged prison garb, she is
transformed into a stunningly beautiful, elegant wolf in
chic clothing when
the time comes to nail her arrogant prey.
Director Bruce Beresford ("Driving
Miss Daisy") said Judd won him over in
their first interview with her charisma and intelligence.
"She is very
forthright and made no secret of the fact that she really
wanted the role.
[And] she brought more to [the role] than I thought would
be possible. One
is always pleasantly surprised when an actor can
embellish the role beyond
your expectations."
Robert Mitchum, a friend of Judd's mother, Naomi, once
commented that
Ashley's talent was so subtle he "never caught her
acting" in films. Judd's
mother and the late Mitchum had become friends when they
met through
friends. Mitchum, known for his understated acting, was
complimenting Judd
on her ability to act in such a natural manner.
Despite her 5-foot-7 frame, she looks petite, not at all
as athletic as she
appears in some of her latest films. She learned to
kick-box for "Kiss the
Girls." For "Double Jeopardy" she has
learned to sprint, recently hiring
the former head coach of Tennessee State University to
train her. She has
gotten so fast that her male co-stars in "Double
Jeopardy" could not keep
up with her in some of the chase scenes.
She appears younger than 31, especially on this sunny
afternoon wearing a
purple sweater set and hot-pink genie pants. Throughout
the interview, she
sprinkles her conversation with references to her
favorite authors and
novels such as F. Scott Fitzgerald's "The Great
Gatsby" and Ernest
Hemingway's "The Old Man and the Sea." Her
inquisitive hazel eyes shimmer
with energy and warmth.
"
She has grace," said her friend Salma Hayek.
"She is like a woman of
another era. She is very strong, but she has a delicacy
in her manner."
Not born to wealth or privilege, Ashley Tyler Judd had a
difficult,
impoverished childhood. Her mother, country music
superstar Naomi Judd,
trotted her two girls around Kentucky and Tennessee in a
vagabond-like
existence on her long road to fame. Judd once joked that
she and her sister
Wynonna grew up in the back of their mother's station
wagon asking, "Where
are we going now?" Naomi, then a struggling country
singer, made some
choices as a mother that sometimes caused hardship on the
girls, Judd said.
The family's most difficult years came during Judd's late
childhood and
early adolescence.
"We didn't have to live in a house that had
uninsulated pipes that froze in
the winter and then burst," Judd said. "But I
understand that choice
because I would prefer to live in the country in a house
like that than in
an apartment in town. Those kinds of things amplified our
poverty."
But the poverty was not the only scarring from those
lonely years. Judd
vividly remembers her mother's bruised and battered face
at the hands of an
abusive lover. Penniless, Naomi took her girls to a motel
where a kind
night clerk gave them free shelter.
Then the Judds, her mother and sister's country duo,
finally hit the big
time, and Ashley Judd was suddenly thrust into a world of
wealth and
privilege. It was a difficult period of adjustment for
Judd, who now
struggled with being left out of the limelight. She was
often alone,
usually accompanied by a book.
"I have a lot of tenderness in my spirit for
Ashley," said her sister
Wynonna. "I don't think people understand how hard
it was for her. She has
a real depth, a real sense of joy and pain because we
went through so much
as children. She consoled herself with her books and her
imagination."
Dropping out of Kentucky State University before
receiving a degree in
French, Judd decided to make her pilgrimage to Hollywood.
Even though she
had been accepted into the Peace Corps, Judd--an honors
student--opted to
become an actress.
Soon enough, after working the required stint as a
waitress at the Ivy
restaurant and as a receptionist at an agency in Los
Angeles, she broke
into the business with supporting roles in television
shows like "Sisters"
and "Star Trek: The Next Generation."
But it was not until director Victor Nunez ("Ulee's
Gold") cast her in his
1993 critically acclaimed independent picture "Ruby
in Paradise" that Judd
was able to demonstrate her talent.
A sweetly introspective film about a young girl's voyage
to self-discovery,
the film offered Judd an opportunity to hone her acting
skills. It was a
very personal film and one she remembers lovingly.
"I got out of Manning, [Tenn.], without getting
pregnant or beat up. That's
saying somethin'," Judd's character Ruby explains
with a quiet dignity.
Those words were uttered with such bitterness and
internal rage, it was as
if they were emerging from a deep, dark cavity within
Judd's soul.
"I was so poignantly and blindly devoted to that
girl," she said.
Judd's performance earned her an Independent Spirit Award
for best actress
that year. From there she was cast as the supportive wife
of Val Kilmer's
character in the slick 1995 cops-and-robbers film
"Heat." She was again
cast as the supportive, loyal wife to Matthew McConaughey
in "A Time to
Kill." In 1996 she received an Emmy nomination for
her role as Norma Jean
in the HBO movie "Norma Jean and Marilyn."
Her studio breakthrough role, however, came with
"Kiss the Girls" opposite
Freeman. Judd was cast as the brainy beauty who escapes
from the claws of a
perverted kidnapper. Judd's character, Kate McTiernan, a
doctor, was seen
by many as an example of the strong female leads so
lacking in mainstream
Hollywood fare.
Judd says she has enjoyed jumping from the intimate pace
of an independent
feature like "Ruby" to slick Hollywood
productions. She has learned to let
go of the material and to understand acting as a
process--which loses some
of its parts on its way to becoming a whole.
"Over time you become more of a filmmaker,"
Judd said. "The [final edited
version of "Double Jeopardy"] that they found
in the cutting room is
commercial and accessible, and it has the trajectory the
audience demanded."
But as her career ascended, after filming "Kiss the
Girls," something
curious began happening to Judd.
She would burst into tears and sob for hours at a time.
She would isolate
herself, unwilling to socialize. What began as a
mysterious bout of
depression and fatigue opened up a floodgate of
unresolved emotions about
her past. Finally, a wall holding back some painful
memories came tumbling
down.
She confronted her mother and sister about her
dysfunctional childhood and
how their fame caused her great loneliness. Coming to
terms with her anger and resentment was a terrifying
experience, she
said.
"You walk to the edge and you stand there and you
look down into the abyss
and things come out of you," she said. "You
make decisions, you turn around
and reemerge."
Although she, her mother and sister came away from the
episode closer and
united, Judd says she is still struggling with
forgiveness.
"You can strive for it, you can have a tremendous
will, and it doesn't
necessarily happen," she reflected. "There is a
secret switch for it in
some little corner of the universe. I think that
forgiveness is probably
the most elusive spiritual quest."
Her life experience has given her perspective, according
to Goldberg.
"She has this calmness about her," he said.
"It's like she could walk
through the raindrops without getting wet."
This isn't to say that she has not thrown some
starlet-like tantrums. In
May, she threw a fit on the set of a Kentucky
Educational Television
station where she had agreed to act in a small series.
When a local reporter showed up at the invitation of the
series' producer,
according to news accounts, Judd lashed into the
producer, declaring, "No
one takes my picture without my permission or my agent's
approval." Judd,
accompanied by two personal assistants, her dog
Buttermilk (who travels
with her everywhere) and liters of Evian water, refused
to grant an
interview to the hometown newspaper.
She has also been rumored to engage in unseemly behavior
with some of her
co-stars after hours. An alleged midnight skinny-dipping
rendezvous in a
hot tub with McConaughey fed the hungry tabloids two
years ago. Judd's
revealing Oscar evening dress a few years ago also raised
eyebrows with a
risqué frontal slit that nearly revealed her private
parts as she sauntered
onstage to present an award.
Keeping her personal life out of the rumor mill has been
a challenge.
Publicly linked to McConaughey and crooner Michael
Bolton, Judd has
suffered her share of heartbreaks. Her relationship with
Bolton in
particular was an intense one, in which Judd fell madly
in love. Though she
is no longer romantically involved with Bolton or
McConaughey, she says she
re mains friends with both.
"She is such an incredibly passionate person,"
Hayek said. "When she falls
in love, what can I say? She falls hard."
Although grateful for the acting opportunities fame can
bring, Judd is
leery of the intrusive media monster prying into her
private life.
Moving from Los Angeles to her family's estate in
Tennessee has helped
reduce the media frenzy, but it is still something she
struggles with.
"There has to be a break in this culture of
celebrity--it has to abate,"
she said. "I'm really glad these things didn't
happen to me when I was 18
or 22. We saw what Julia [Roberts] went through. She was
like the
sacrificial lamb, in a way." Wynonna Judd says she
is not surprised by her sister's success. Her focus and
intensity have been apparent since Ashley was a child,
she said. "My mother gave us roots and wings. That
is what saved us," Wynonna said. "Ashley has a
center. She knows who she is off camera. Now that I'm
watching her succeed, I'm so proud. But she's still the
same girl." *
Lorenza Muñoz is a Times staff writer.
Copyright 1998 Los Angeles Times. All
Rights Reserved
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